姜夔词“冷”意象研究

The“Cold”Images of Jiang Kui's Poetry

意象是中国文化里首创的一个美学范畴,意象的古义是指用来表达某种抽象的观念和哲理的艺术形象,古人对于意象的运用早已得心应手,在源远流长的中国文学长河中古人独具匠心的创造了许多不朽的艺术形象,南宋的伟大词人姜夔就在其词里塑造出诸多美妙的"冷"意象,这些"冷"意象对于白石"清空骚雅,冷僻幽独"的清雅词风有着积极地构建作用,然而中华民族温文尔雅的民族性格中总有一种温情脉脉的特质,而白石道人异军突起的"冷"却给人异样的艺术感受,这些"冷"意象的渊源又主要是白石的人生境遇、精神个性、为人为文的道家倾向。姜夔的"冷"意象是词坛的一朵奇葩,它的出现为"清雅词派"的发展输入了新的艺术活力,在文学史上的作用和地位不容忽视。

Imagism may be an aesthetic creation in Chinese culture. It meant in the ancient time an artistic image with a certain abstract concept and philosophy. Ancient Chinese writers were already versed in application of images. So in the long history of Chinese literature, numerous, artistic images, of imperishable originality, have been modeled. Jiang Kui, a great poet of the Southern Song dynasty and a follower of Taoism, is famous for the ＂chilling＂ images conductive to formation of Bai Shi＇s poetic composition in dear, empty, elegant, cold and secluded genres, which meanwhile may originate Bai＇s life experrience, personality, and Taoist orientation of humanities. Moreover, Jiang＇s ＂cold＂ images, whose roles and significances cannot be neglected in the history of literature, add fresh artistic vitality to the ＂clear and elegant＂ style of poetry.