从《声无哀乐论》看嵇康的论辩技巧——兼谈嵇康辩驳乐理的实质

The Study f the Argument Technique of Ji Kang in the Voice without Grief and Joy Theory during the Period of Three Kingdoms: the Nature of Music Theory Refutation

《声无哀乐论》体现了嵇康对乐理的独到见解,同时也引起了后世学者对"声"有无"哀乐"的思索与探寻,文章将从"高超的论辩策略"、"多样的论证技巧"以及"嵇康的乐理新解"这三个方面来探讨嵇康构建"声无哀乐"论的辩驳逻辑,并由此探寻嵇康所构建的乐理的实质。

Ji Kang＇ s unique understanding of music theory is reflected in the Voice without Grief and Joy Theory, and meanwhile brings the motivation for later scholars to ponder and explore whether the ＂voice＂ contains ＂grief＂ . This paper will explore Ji＇s argument logic constitution for ＂the Voice without Grief and Joy Theory＂ and the nature of his musical theory from three aspects： excellent debate strategy, diverse argument skills and new interpretation of his music theory.