浅析2000—2008年台湾电影的后现代性特征

The Post-modernity Characteristics of Taiwan Cinema from 2000 to 2008

新世纪以来,台湾电影在低潮中寻找生存的空间,一方面秉承新电影运动的现实主义传统,另一方面呈现出一种后现代的景观。2000至2008年台湾电影的后现代性特征主要探讨被规训社会中人的主体地位、传统文化和家庭本位中心地位的丧失以及后现代的电影表现美学。台湾电影的后现代性特征不仅是景观社会、媒体时代的表征,更是其在原来电影传统基础上对于电影表现形式的求变和创新。此外,台湾电影的后现代性特征在"后海角时代"的延续方式是以怀旧电影的面貌公之于众的。

Since the inception of the new century, Taiwan films seek the room for survival in the low space with difficulty. On one hand, Taiwan films adhere to the tradition of realism in the new movie movement,on the other hand it presents a kind of postmodern landscape. From 2000 to 2008, the post-modernity characteristics of Taiwan films focuses on the dominant role of people in the discipline society, the traditional culture,the loss of their family center position and the post-modernity film aesthetics. The post-modernity characteristics of Taiwan＇s film is not only about the landscape characterization of society or the media era, but also concerning about the variation and innovation of forms on the basis of traditional modality. In addition, Taiwan Residents film＇s post-modernity characteristics in the ends of the earth after the ＂times＂ is familiar to the public by way of nostalgic movies＇ look.