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"Filmagining" Ethnicities: The Making of a Chinese Nation with Film Genres and Styles between 1940 and 1963

"Filmagining" Ethnicities: The Making of a Chinese Nation with Film Genres and Styles between 1940 and 1963
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摘要 This article is about the movies from Chinese mainland under the production category of minority cinema (shaoshu minzu dianying), between the years 1940 and 1963. It argues that the taxonomic effort of grouping different non-Hart ethnicities together into a single category of minority cinema is a sociopolitical attempt to construct, maintain and control the definition of ethnic minorities. It calls into question not what is within the film, but the classificatory practices outside of the film collectively engaged by the government, the film industry, the critics and the mass audience. Moving away from the methods of examining the representation and generic conventions of the cinema other scholarship has employed, this article emphasizes the classification system used during the time of the cinema. By comparing it with a similar classificatory problem in Western national history, using an epistemological perspective, this article criticizes the negative impact inevitably left in rhetorically driven classification systems. This article is about the movies from Chinese mainland under the production category of minority cinema (shaoshu minzu dianying), between the years 1940 and 1963. It argues that the taxonomic effort of grouping different non-Hart ethnicities together into a single category of minority cinema is a sociopolitical attempt to construct, maintain and control the definition of ethnic minorities. It calls into question not what is within the film, but the classificatory practices outside of the film collectively engaged by the government, the film industry, the critics and the mass audience. Moving away from the methods of examining the representation and generic conventions of the cinema other scholarship has employed, this article emphasizes the classification system used during the time of the cinema. By comparing it with a similar classificatory problem in Western national history, using an epistemological perspective, this article criticizes the negative impact inevitably left in rhetorically driven classification systems.
作者 Aubrey TANG
出处 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2014年第3期443-467,共25页 中国高等学校学术文摘·文学研究(英文版)
关键词 minority film Chinese ethnic minorities film genre genre theory minority film, Chinese ethnic minorities, film genre, genre theory
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参考文献42

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