“济世”理想的破灭到“无待”思想的滋生——元杂剧山东作家群的思想流变

From Relief of the World Disillusionment to Non- restraint Idea——Evolution of Zaju writers of the Yuan Dynasty in Shandong.

元代社会前期,杂剧成为戏曲走上繁荣之初的主要创作形式,北方的戏曲作家多结群创作,其中,山东作家群成为当时一个影响颇大的群体。山东作家群所作剧作,题材表现多样,部分存世早期作品鲜明地表现出元蒙高压统治下,文人儒家传统"济世"人生理想从热望走向幻灭的痕迹;后期作品流露出道家"无待"的消极思想。元代山东作家群由儒而道的思想流变,不仅在元代具有典型性,也生动地反映了中国古代文人精神世界的动态。

During the early Yuan Dynasty, Zaju became the main form of drama creation at the beginning of prosperity. The northern drama writers worked in groups, among whom Shandong writers became an influential group. Dramas by Shandong writers had diversified themes. Parts of early works left clearly showed under the high pressure of the Yuan and the Mongolian rulers, the writers＇ ideas of Relief of the World with Confucianism changed from desire to disillusion and later works showed negative idea of Non - restraint. Evolution of Shandong writers in the Yuan Dynasty in by Confucianism and Tao not only is typical in the Yuan Dynasty, but also vividly reflects the dynamic situation of Spirit worlds of ancient Chinese writers.