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以蕉风椰雨介入台湾文坛的作家

Writers with Tropical Style in the Literary World of Taiwan
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摘要 从马来西亚到台湾定居或学习的马华作家,大部分能写、能评、能编,并以蕉风椰雨的异国情调成功地介入了台湾文坛。到了1990年代,旅台马华作家开始在台湾文坛大放异彩,以自己的"台湾经验"审视马华文学,在马华文坛掀起阵阵波浪。其中从婆罗洲走来的李永平,不断在"中国化"朝圣的道路上前进。他创作的中国原乡、中国母亲、中国文字,成为他艺术世界里的三位一体,构成了他与众不同的写作风格。 Most Malaysian Chinese writers, who came to Taiwan to settle or study, can write, critisize, and compile. They enter the literary world of Taiwan with their tropical style. Till 1990 s, they had come to fame, look at Malaysian Chinese literature with their "Taiwan experience". Among them, Li Yongping, who comes from Borneo, continued sinicizing process. He created China Homeland,China Mother, and China Characters, which formed the triplicity of his art world and his distinctive writing style.
作者 古远清
出处 《山西大同大学学报(社会科学版)》 2014年第4期7-11,共5页 Journal of Shanxi Datong University(Social Science Edition)
基金 国家哲学社会科学基金项目"新世纪台湾文学史论"(12BZW120)
关键词 蕉风椰雨 马华作家 台湾文学 tropical style Malaysian Chinese writers Taiwan literature
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二级参考文献2

  • 1[34][36]Skhlovshy,Viktor:Art us Technique ed.Robert Con Davis & Ronald Schleifer Contemporary Literary Criticism (New York:Longman,1 989),p.58,p.56.
  • 2[40][41]T.S.EIiot:Tradition and the Individual Talent ed.Robert Con Davie & Ronald Schleifer Contemporary Literary Criticism,(New York:Longman,1989),p.26,p.26.

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