摘要
阿瑟·丹托说:"在阐释有结果之前,欣赏仍然是悬而未决的问题"。从某种意义上说,这句话正点明了艺术鉴赏和艺术阐释的一种关系:艺术阐释决定艺术鉴赏。20世纪以来的解释学艺术理论试图以艺术接受为出发点来读解艺术、艺术作品。以艺术接受为中心的接受美学显然存在着相当大的局限性和误区,尤其是有着存在着忽视艺术创作主体和忽视作品客观标准的倾向。因而,我们应当从马克思主义原理中寻求正确认识艺术鉴赏中艺术家、艺术作品与观众(鉴赏者)之间的关系,在构建当代的艺术鉴赏理论时要坚持以马克思主义理论作为指导思想。
Arthur C. Danto said, 'Before the result of interpretation, appreciation is still a question hanging in doubt.' In certain meaning, this sentence just points out the relation between art appreciation and art interpretation: art interpretation decides art appreciation. Ever since the 20 th century, hermeneutic art theory has been trying to interpret art and artworks taking art reception as the starting point. Aesthetics of Reception that taking art reception as the center obviously has relatively big limits and misunderstanding, especially with the inclination of ignoring art creating subject and objective standard. Thus, we are supposed to seek correct way to understand the relation among artist, artwork and audience during art appreciation from principles of Marxism, and insist it as our guiding ideology when we are building contemporary art appreciation theory.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2014年第5期86-92,8,共7页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
教育部人文社会科学青年项目<中国当代艺术发展与国家形象构建与传播研究>(项目编号:11YJC760058)
江苏省教育厅指导项目<当代艺术与国家形象构建与传播研究>(项目编号:2011SJD760025)
关键词
艺术鉴赏
艺术阐释
艺术接受
Art acceptation
art appreciation
art interpretation