再现到表现的审美跨越——从传统绘画的“形”谈起

Aesthetic Surpassing from Representation to Expression——Talking from “Form” of Traditional Painting

从文化学角度论证中国绘画形态,可以确定自然发展观与文化本体论是推进其造型系统形成、跨越的载体,为独特的笔墨发展提供了无限可能。就绘画创作而言,主体想象力是图式的承载者,通过直观的"形"而构成各种样态。理性思维与感性思维是图形再现与创意表现的依据,也是支撑中国画精神旨向与形式风格的基础。本文通过中西交互思维,对中国绘画的"形"进行逻辑分析,进而诠释传统绘画内涵的美学意义。

By analyzing Chinese painting form through the perspective of cultural studies, it becomes certain that the formation and extension of its' modeling system are propelled by the concept of natural development and culture ontology. Thus, providing infinite possibilities for the development of ink and brush. In terms of painting creation, the core vision serves as a medium for graphics to become forms through ‘shapes'. Rational and emotional thinking form the underlying core of Chinese painting, which also substantiates graphic reproduction and creative expression. This essay analyzes the ‘form' of Chinese painting through integrative East and West comprehension, therefore, annotating the aesthetic significance of traditional painting connotations.