旷野的孤独行吟——论潘年英作品集《伤心篱笆》的文学风格

Walking and Singing alone in the Wilderness:Literary Style of PAN Nian-ying “Sad Fence”

《伤心篱笆》是贵州黔东南籍侗族作家、学者潘年英人类学系列笔记的第三本。钟情乡土的个性风格,水到渠成的语言魅力,虚实交错的隐喻和象征,陪伴着潘年英在乡土中孤独行吟。潘年英的书写不是停留在表面的一种还原和再现,而是在文化自觉中用生命的全部热忱自觉担当了侗族传统文化的守护、保卫之责,并孜孜不倦地构筑我们共有的"精神家园"。

＂Sad fence＂ is the third anthropology notes of PAN Nian - ying, who is a Dong writer andscholar from Guizhou. Currently, most scholars carry out research on him have focused on the anthro-pology perspective of writing, but the author of this paper tried to return to his literature writing, bytaking ＂Sad fence＂ as an example in order to complete tentative interpretation of his literary style. Thelove of native personality style, the charm of ripelanguagesituation, accompanying him walking and singing alone ina restored surface and reproduce, but in the culturalsciously served as the guardian of the Dong traditional, metaphor and symbolismthe wilderness. His writinglife , he consciously used allculture, and worked tirelesslyhome which are our shared ＂spiritual home＂.