在解构中沉潜:上海沦陷区小说的“五四”底色——兼议抗战时期文学民族化

Immersing While Deconstructing: The Fundamental Value of the May Fourth Spirit in the Novels in Shanghai Occupied Area——With a Discussion on the Literary Nationalization during the Period of Anti-Japanese War

一般认为,上海沦陷时期日伪的严酷统治武力切断了新文学传统;狭窄言路下上海文学的异常繁荣被认为是畸形的、偶然的;异族统治下文学民族化的追求也被视为不可能。然而,异族高压、民族情绪、市民文化等多种话语力量的交错博弈形成了沦陷时期上海的异质文学空间,推动了理论与创作上极有文学史价值的"五四"重审。上海沦陷区小说一方面对"五四"经典主题、情节、人物进行着反讽叙事;另一方面也在题材选择和文学接受的调整中,继承发展了"五四"的精神实质。这一解构与沉潜并进的过程,促进了"五四"先锋质素的落地生根,展示了民族文学发展的另类经验。

The general view is that the tradition of the May Fourth literature was broken violently by Japanese military occupation of Shanghai Shanghai literature has been considered , and under Japanese dominance the unusual prosperity of abnormal and accidental, and the pursuit of the literary nationalization is certainly regarded impossible. However, many forces, such as political confinement under foreign rule, nationalist sentiment and civil culture, interacted and struggled in that circumstance, which offered the occupied Shanghai literary space, thus driving the historically valuable review on the May Fourth Literature in theory and practice. The novels in Shanghai occupied area, on the one hand, carried the ironic narration of the classical themes, plots and characters during the May Fourth era, but on the other hand, inherited the essence of the May Fourth spirit through adjustment in material selection and readers＇ reception. The co-existence of deconstructing and immersing made the May Fourth pioneer quality integrate into Chinese literature, and reflected the alternative way of literary nationalization.