反思性的民族认识与形式性的艺术呈现--亚森江·斯迪克《魔鬼夫人》试析

Reflective Ethnic Realization and Representation of Formal Arts: A Study on Yasinjan Sadiq's The Devil Lady

维吾尔族优秀小说家亚森江·斯迪克,用长篇小说的形式,对以叶尔羌汗国为焦点的维吾尔历史进行了恢弘的书写,并对本民族宗教信仰中的痼疾做了深刻的揭示与批判。本文从思想意义与艺术形式有机融合的视角出发,详析了亚森江的长篇小说《魔鬼夫人》,突出亚森江小说历史与现实、思想与艺术之间充满张力的魅力。

Yasinjan Sadiq, an outstanding Uyghur novelist, rewrites the grand Ulglaur history with Yarkand Khanate as the focal point, which profoundly reveals and criticizes the protracted diseases in the religious belief of this nationality. This paper gives a detailed analysis of his novel The Devil Lady from the perspective of the organic integration of its thoughts and art form, showing the charms of his novels, which are full of the fascinating tensions between history and present as well as thoughts and arts.