摘要
在北京,艺术机构引入域外艺术家来国内展览,多以群展的形式,也一度以画廊或藏家自身的收藏展为主。在此类群展中,被展示的作品之间缺乏联系,展览主题也往往是在后滞中拼凑而出,因此,这些群展常予人以作品强行拼凑,为展而展的僵化感,这样的情形正在改变。
Due to the structure of the Chinese art world, most of the international art that comes to Beijing arrives in the [brm of group exhibitions at the behest of private dealers and collectors. As a resuh, the works included in these exhibitions often seem to lack context or communication, occasionally to the point that the theme uniting them feels like an afterthought.
出处
《艺术界》
2014年第5期190-191,共2页