论高行健戏剧艺术的借鉴与创新——《车站》和《等待戈多》戏剧手段之比较

On His Borrowing and Innovation in Gao Xingjian's Art of Drama——A Comparison between Dramatic Methods in Bus Stop and Waiting for Godot'

《车站》借鉴了《等待戈多》的西方现代主义戏剧技法,如象征、荒诞、艺术的抽象等手段,并结合中国传统表演艺术在剧场性、假定性和叙事性方面进行了创新,具体手段有多声部、叙事角度的转换、时空自由、音响的特殊处理和小剧场的使用,体现出对中国传统表演艺术手段的回归。

The Bus Stop uses Waiting for Godot for reference in terms of modernist dramatic devices, such as symbolism, absurdism and abstraction of art, and develops them by combining them with Chinese traditional performing devices of theatricality, suppositionality and narrationality to achieve polyphony, the shifting of narrative point of view, the free use of space-time, the particular disposal of acoustics and the employment of little theatre.