摘要
马华作家林幸谦的散文集《狂欢与破碎》是作家本人提出的"后散文理论"的重要实践。文集中的反模拟书写模式即是对传统散文写作成规的突破。林幸谦的这种"颠覆书写"源自于其深切的边缘体验和"暧昧"的文化身份,是作家逃遁现实、建构其文化认同的一种独特方式。
Revelry and Fragmentation, a collection of essays by Lin Xingqian, a Malaysian-Chinese writer, is an important practice of his "post-essay theory" by the author. The mode of anti-simulational writing in the collection is a breakthrough against the traditional essay-writing conventions. The "subversive writing" by Lin Xingqian originates with his deeply marginal experience and "ambiguous" cuhural identity.a unique way of escaping from the reality and constructing cultural identification.
出处
《华文文学》
CSSCI
2014年第5期76-79,共4页
Literatures in Chinese
关键词
《狂欢与破碎》
后散文理论
颠覆书写
身份建构
Revelry and Fragmentation, post-essay theory, subversive writing, identity construction