汪曾祺小说中“小”的美学趣味

"Small" aesthetics in Wang Zengqi's novels

汪曾祺小说不追求生活的大全景,连贯的情节,而向局景转换,向碎片转换,甚至一景一地、一人一事、一游丝片缕可成文。其小说以小的趣味,小的智慧,通过心性的伸展,生命的体验,表现了生命的趣味,即重在表现体验的真实,作家内在自我旨趣的天然流露,追求平和的愉悦,创造简约纯净的美感。从而渗透出中国传统的美学思想。

Wang Zengqi no longer pursued the life of the panoramic and coherent plot in his novels. He put the panorama into local situation and fragment,and even a scene of a place,a person a thing,or a small fragment can be written as fiction. His novels showed the zest for life,which focused on the performance of the truth of experience. Wang Zengqi pursued the natural language of peace and joy and created the simple pure aesthetics,which is the simplest form of creative writing,reflecting his attention to little fun and little wisdom through the mind stretching and life experience. His novels have traditional Chinese aesthetic thoughts.