摘要
弗里丹在《女性的奥秘》中抨击了当时流行的贤妻良母女性奥秘论,并鼓励女性寻求新生。米勒在《堕落之后》中既描绘了女性桎梏于这一奥秘的苦闷,又刻画了女性自我意识的觉醒、平等的需求与呐喊、自我权利的追求以及自我追求的痛苦和牺牲。米勒通过女性独立之路的胜利和死亡,向世人表明他有能力塑造自立的、自主的、反抗的、悲剧的女性形象。
In The Feminine Mystique,Friedan attacks the then popular feminine mystique-being a perfect wife and mother and encourages women to pursue their new birth. In After the Fall,Miller depicts the depression and torture of the women trapped in this mystique,simultaneously portrays women's self-awareness,their demand and cry for equality,their pursuit of their own rights and the suffering and sacrifices of their self-pursuit. Through women's victory and death during their rebellion course,Miller proves that he is capable of creating independent,self-deposed,rebellious and tragic female figures.
出处
《西南科技大学学报(哲学社会科学版)》
2014年第5期35-40,共6页
Journal of Southwest University of Science and Technology:Philosophy and Social Science Edition
基金
2012年黑龙江省教育厅人文社会科学研究项目资助"女权主义视角下阿瑟.米勒戏剧中妻子和母亲角色研究"(项目编号:12524008)
关键词
阿瑟·米勒
《堕落之后》
女性奥秘
觉醒
自立
Arthur Miller
After the Fall
Feminine mystique
Self-awareness
Independent