摘要
作为异域的文化想象,好莱坞电影的"中国镜像"为我们认识自身提供了一个难能可贵的文本;而另一方面,在冷战时代,作为文化传播重要媒介的中国电影,通过其或隐或显的道德诉说,民族国家的意识形态身份得以充分表述和建构。重新回顾冷战电影,抹去斑驳影像上遮蔽历史真相的浮尘,方能清醒地再现那个彻底改变人类命运的漫长的二十世纪,在长达一个世纪的意识形态对垒背后,思索文明的冲突与历史的真相。
As exotic cultural imagination ,the Chinese image in the Hollywood movies offers us a valuable text .On the other hand ,during the cold war era ,the ideology of a nation′s identity was expressed and re-constructed vaguely and obviously via the significant cultural media channel "Chinese war movie".Sur-veying "the Cold War film",we could think deeply and clearly about the culture clash and the historical truth behind the ideology confrontation during the 20th century .
出处
《蚌埠学院学报》
2014年第5期33-36,共4页
Journal of Bengbu University
基金
西南科技大学博士研究基金项目(11sx7113)
西南科技大学科研团队(13sxt016)