元小说与元电影的叙事研究——以《苏菲的世界》、《开罗的紫玫瑰》为例

A Narrative Study of Meta-fictions and Meta-cinemas——A Case Study of“Sophie's World”and“The Purple Rose of Cairo”

元小说、元电影是"元叙述"寄生的不同体裁,在叙事方面有类似于"大盒套小盒"的故事架构。"戏仿"、"拼贴"、"时空转换"等叙事技巧,复调的叙事架构,在自我指涉的过程中颠覆了艺术的形式,消解了艺术和现实的关系。本文从叙事学角度出发,以元小说《苏菲的世界》和元电影《开罗的紫玫瑰》为例,比较元小说与元电影的叙事策略。

Meta-fictions and meta-cinemas are different genres of parasitic ＂meta narrative＂, and have similar features to the story of ＂big box set in a small box＂ in narrative. Narrative skills such as ＂parody＂, ＂collage＂ and ＂transformation＂ of time and space, and polyphonic narrative structure subvert the form of art, and dispel the relationship between art and reality in the process of self-reference. This paper, from the narrative perspective and with a case study of the meta-fiction ＂So- phie＇ s world＂ and the meta-cinema ＂The Purple Rose of Cairo＂, compared narrative strategies between meta-fictions and meta-cinemas and explored the ＂meta＂ aesthetics behind novels and movies.