摘要
城市历史遗产作为城市特定时代历史与精神文化的载体,在对其进行展示与诠释的过程中必然面临与人的互动关系。本文从符号学的角度探索对作为城市符号实体的历史遗产的诠释过程与解读过程的差异,在认知主体对城市历史遗产符号的"再创造"的理解能力的基础上,将符号学的"共识性"与"模糊性"引入城市历史遗产展示与诠释的研究中。并以重庆渝中区城市历史遗产展示研究为例,探索该理念在城市历史遗产诠释研究中的可行性。
Urban historical heritage bears the historical and spiritual-cultural significance of cities.It inevitably interacts with people during the process of presentation and interpretation.This essay explores the gap between the interpretation and understanding process of historical heritage as a city symbol by introducing the consensus and ambiguity of semiotics into studies based on the ability of the general public to interpret urban historical heritage symbols.After an analysis of the urban historical heritage presentation of Yuzhong District in Chongqing,the feasibility of using such a theoretical framework for urban historical heritage interpretation will be discussed.
出处
《城市观察》
2014年第5期60-69,共10页
Urban Insight
基金
国家自然科学基金项目:基于地域的抗战遗产保护与利用--以陪都重庆为例(51108476/E080102)
西南山地城镇文化景观演进过程及其动力机制研究(51178479/E080201)成果
关键词
建筑符号学
共识性
模糊性
文化遗产
诠释与解读
architectural semiotics
consensus
ambiguity
cultural heritage
interpretation and comprehension