摘要
北朝关中地区出土的造像碑比较多,且比较集中。造像题记书法形成的"长安书体",以"结体宽博,横平竖直,有着隶书遗法,书风端正疏朗、纯厚优雅,简朴超逸之美"等特征在魏碑书体中占有重要地位,它的形成有多种因素。通过对民族关系、刻工、汉画像石的继承、多人合作的二次艺术等方面的分析,旨在说明"长安书体"的形成与北方各少数民族的融合和智慧有密切关系,这些少数民族对中国书法史的发展也具有一定贡献。
There are many statues formed in the Northern Dynasty in Guanzhong region. The calligraphy on the statues isformed the Chang’an calligraphy style which is inherited some characters of Li Calligraphy. Chang’an calligraphy style is in theprominent position among Weibei Style because of its beautiful features such as broad structure, horizontal and vertical, upright andlichtung, rich and elegant, simple and graceful. The paper is analyzed its cause of formation based on the national relation, crafts-men, inheritance of statues stone from the Han dynasty, secondary art by many people cooperation and so on. It summarizes thatnorthern Ethnic minorities’ fusion and wisdom are important for forming the Chang’an calligraphy style and the ethnic minorities hadmade a certain contribution to the development of Chinese calligraphy.
出处
《渭南师范学院学报》
2014年第22期59-62,共4页
Journal of Weinan Normal University
基金
国家社科基金项目:北朝造像题记书体的地域风格及其比较研究(13BZS026)
教育部人文社会科学研究青年基金项目:北朝关中地区造像题记视阈下的魏碑书法--长安书体(11YJC760106)
关键词
北魏
关中地区
长安书体
书法
Northern Dynasty
Guanzhong region
Chang’an calligraphy
calligraphy