诗歌之美,贵在中和——解读瑞恰慈对诗歌的语义美学分析

The Harmony of Synaesthesis： I. A. Richards＇ Semasiological Aesthetic Views on Poetry

“中和诗论”是瑞恰慈语义美学思想的核心观点，是对诗歌经验与价值从语义学及美学的双重维度作出的探析。本文从形式结构、阅读经验、复义意涵、冲动平衡等层面，以语义美学视角解读与提炼瑞恰慈的诗论观，指出瑞恰慈“中和诗论”的核心是高扬诗歌的中和之美，可概括为诗歌的形式融合之关、音韵谐和之美、意义杂合之美及情感调和之美。瑞恰慈对诗歌的语义美学分析是语言学与美学视域融合的产物，既突出了诗歌的语言形式之美，也彰显了诗意经验的美学价值，更高扬了诗歌平衡人类情感的生存关学功用。

Poetic harmony and synaesthesis is one of the core concepts of I. A. Richards＇ semasiological aesthetics, which involves the exploration of the beauty and values of poetic experience from both semasiological and aesthetic angles. Richards＇ views on the beauty of poetry will be explored from various aspects, namely, the formal construction of poetry, the reading experience of poetry, ambiguity in poetry, and reconciliation of impulses during the poetic experience. Poetic beauty as the harmony of synaesthesis will be outlined grounded on key points of Richards＇ aesthetic works, which involves the integrated form, the harmonious sound, the. enigmatic sense and the synaesthetic experience. With his inter-disciplinary effort to observe and analyze the fascinating nature of poetry, Richards has successfully highlighted the formal beauty of poetry, the aesthetic value of poetic experience, and the therapeutic function of poetry through coenesthesia.