木心的文学创作观论析

On the Literary Creation View of Muxin

作为新移民海归作家之一,木心在文学思想层面,自觉地站到全人类的立场,去关注文学关照人性。作为从五四过渡到当代的作家,木心的文学语言依旧保留了中国古典文学语言的特点,并尝试以赋、俳句、诗歌等多种传统文学形式结构散文,创造出既保留古典文学特点又富于现代意味的文学样式。同时,木心坚持个人主义的创作立场,在取得文学市场占有率的同时,文本典故的过多运用,主观化观念化严重的现象,也增加了读者理解文本的复杂度,在一定程度上影响了文本的传播和接受。

Migrated abroad and then returned to his homeland,Mu Xin is a writer who,in terms of literary ideology,consciously takes a stand of general humanity with which he observes literature and humanity. Being a writer who has shifted from the period of May 4th directly into contemporary time,Mu Xin is able to retain features of Chinese classical literature in his writing. His attempts of composing essays with traditional literary style and structure lead to a literary style characterized by both classical literary features and modern scents. In the meantime,Mu Xin believes in individual creation,by means of citing excessive anecdotes and underlining his subjectivity,which hinders apprehension of the readers and to some extent the spread and reception of his work,even though his writing has already won a share in the literary market.