半是人生半是戏——论阿袁的小说创作

Half is Life and Half is Play——Discussion of Yuan's Novel Writing

江西新写实主义女作家阿袁以其独特的文学风格跻身文坛,进入不惑之年的她以对女性暮春悲凉的深刻洞察和感受,凄迷地诉说了一个个在爱情和婚姻的漩涡中打转的女性的故事,不管是学院派的知识女性还是小城镇的青年女子,在作家冷眼搭建的戏台上,演绎了一段段悲情人生。在男性主权的社会意识形态下,女性所谓自我解放的革命只不过成为一场欲望的悲剧;在男男女女围筑成的"镜城"中,女性在围困中的突破只能是徒劳;在作家放大的"第二性"的叙事安排下,女性的命运注定是悲哀。

Yuan,a female novelist of new realism from Jiangxi,with her unique literary style,steps into the literary world. As a woman in her forties,Yuan has experienced with and formed insights over the sadness of middle-aged women,which sets base for her telling stories one after another in a dismal tone of those women who are stuck in whirlpool of romance and marriage. On the stage set by Yuan with cold eyes,tragedies are performed one after another by women,both academic well-educated women and young women from small towns. Under the social ideology of male sovereign,female＇s so-called revolution for self-liberation has just become a tragedy of the desire; in the ＂ city of mirror＂ which is built with men and women,it is vain for women to break the siege; women＇s fate is doomed to be sad in the narrative arrangement of the amplified the ＂ second sex＂ by Yuan.