摘要
集体无意识理论认为,神话是民族精神内涵的显性展示和核心表达,是人类集体无意识的原型载体,是社会精神气质的活化石。女娲神话作为中华民族最古老的神话之一,以故事的形式传输了中国传统政治伦理、宗法伦理、族群意识,展示了初民对社会、人生的理解与思考,是解读中国传统社会秩序的原初密码。女娲的丰业伟绩,指导着华夏族的精神理念从差异走向趋同,是展现中华民族不怕牺牲、崇尚英雄、敢于殉道济世等民族品格的精神化石。女娲神话作为一种具有虚构性质的文学形态,又具有一种超脱性的价值追求,它推崇天人合一、阴阳相谐、和悦共生,是中华民族审美取向的重要文化图腾。女娲神话所表现出来的集体无意识既是折射中华民族历史的镜子,也是照亮中华民族未来走向的灯塔。
"Collective unconsciousness" theory holds that myth is an explicit expression of the national spirit connotation and core expression, and it is the archetype carrier of the collective unconsciousness and the living fossil of social ethos. As one of the most ancient myth of the Chinese nation, the myth of Nvwa has disseminated the Chinese traditional political ethics, the patriarchal ethics, and the ethnic consciousness in the form of story. It shows the understanding of society life and thinking of the ancients, and is the key to traditional social order of Chinese. The feats of Nvwa lie in that it has directed the spirit of the Chinese family from difference towards convergence. The myth of Nvwa has a value pursuit of aloofness because it advocates harmony between the heaven and human, harmony between Yin and Yang, and coexistence between harmonious and joyful symbiosis, which is the important cultural totem to cognize the aesthetic orientation of the Chinese nation.
出处
《南通大学学报(社会科学版)》
CSSCI
2014年第5期78-83,共6页
Journal of Nantong University:Social Sciences Edition
基金
中央高校基本科研业务费专项资金资助
关键词
集体无意识
社会秩序
民族精神
审美取向
collective unconsciousness
social order
national spirit
aesthetic orientation