摘要
中华全国美术会在配合抗战的同时以建设、发展常规的美术教育和美术活动为立足点,在战时中国美坛发挥了重要影响。虽然中华全国美术会在以自身力量影响社会,支援抗战方面,做得并不尽人意,但正是作为官方美术机构表现出的这种艺术包容性,使得当时的很多艺术家可以相对从容地进行艺术探索,没有使中国绘画的现代化进程因为要服从于抗战的时代任务而完全中断。
As the largest wartime official art institutions, the China Art Association takes the construction and development of the conventional art education and art activities as foothold while works with the war. Although the ＂China art association＂ will influences the society with their own strength, to support the Anti Japanese War, do not satisfied, but it is as an official art institutions shows the art inclu- sive, makes a lot of artists that can be relatively easily art exploration, did not make Chinese painting modernization interrupt in order to serve the war.
