摘要
塔吉克族在历史上曾信仰过多种宗教,每种宗教象征符号在其文化上的反映不是彼此决断地排斥、并存而是透叠式呈现。文章认为塔吉克族配饰"圆形"母题的提炼和应用,首先是宗教因子的视觉阐释,其次它糅合了草原游牧文化的特征和对财富、生活的态度;塔吉克族妇女盛装配饰的形式和结构折射出原始宗教、祆教、佛教以及经过伊斯兰教义洗礼的宗教印记和草原游牧文化的影响。
Tajik culture is the compound of multiple cultures,and in its history,there were many religions.Each religious symbol reflected in the culture does not reject each other or coexist simply;but all such symbols present themselves in an overlaid way.In this thesis,the motif of 'circular shape' of Tajik accessories is extracted and applied.First,it makes a visual illustration of the religious factors;secondly,it is based on the features of prairie's nomadic culture and the attitude toward treasure and life.The form and structure of the accessories of Tajik women's dress reflect original religion,Zoroastrianism,Buddhism,and religious imprints with Islamism baptism and the impacts of nomadic culture.
出处
《新疆社会科学》
CSSCI
2014年第5期111-118,162,共8页
Social Sciences in Xinjiang
基金
国家社会科学基金艺术学项目"新疆地区民族美术发展研究"(12EF120)
新疆师范大学自治区重点学科招标课题项目"新疆古代祆教遗存美学特征研究"(13XSQ0514)的阶段性研究成果