摘要
本文利用北京故宫博物院所藏清乾隆年间摹绘《皇清职贡图》绘卷,在理清其现存版本及绘制过程的基础上,通过分析其满汉文图说,阐明该图绘卷中对各"民族"、"国家"的具体表述及当时的清朝与这些"民族"、"国家"之间的关系实质,并以此探讨清朝是怎样统合国内各"民族"、各"集团",怎样认识和对待其他"国家",自身又是怎样的一个"政权"或"国家"的问题。
This article uses Qianlong era portraits, ＂Qing Imperial Costume＂ scrolls, stored in Imperial Palace Museum in Beijing as the foundation to undertake a detailed analysis Manchu and Chinese caption, to clarify the specific expressions of ＂nationality ＂and ＂state ＂and the time of the Qing Dynasty and the substantive relationship between ＂ nationality＂ and ＂ state＂ during the Qing Dynasty. Based on this investigation the article also explores how the Qing dynasty united different ＂nationalities＂ and ＂groups＂ and other ＂states＂ and its own political and ＂state. ＂
出处
《清史研究》
CSSCI
北大核心
2014年第4期28-38,共11页
The Qing History Journal
基金
国家社会科学基金青年项目"清代喀尔喀蒙古噶舒克文书与社会体制研究"(编号:13CZS047)
"复旦大学‘985工程’三期复旦丁铎尔中心生态环境与人文社科交叉研究项目"之"全球变化与区域响应(1200-2000)"
Climate Change & Regional Response(1200-2000)
编号:FTC98503A09的阶段性研究成果
