摘要
"秋"对于多愁善感的中国古代文人而言,无疑是抒写无奈、伤感之情的最佳物象。本文试将以秋为主题的、成就较为突出的赋作进行比较研究。通过对同一景物,两种态度的比较,以及对自魏晋以来,历朝历代赋作艺术特点的梳理比较,以期对"悲秋"这一文人笔下常见之题做出更细致的理解,同时窥探历代文人不同的创作心态与心境。
Autumn is taken as a best image of resignation and mawkishness by sentimental literati in ancient China. This paper makes a tentative study of the great antithetic prose of autumn, and through a comparison of two attitudes towards one of sceneries and the different characters of the antithetic prose since Wei and Jin Dynasties, to get a further understanding of the common topic in writings and the creation psychology of literati in different periods of time.
出处
《铜仁学院学报》
2014年第5期73-76,共4页
Journal of Tongren University
关键词
悲秋
赋
异同
比较研究
sorrowful of autumn
antithetic prose
similarities and differences
comparative study
