摘要
在许鞍华的社会伦理影片中,对女性形象的塑造经过从传统女性到现代女性主义,再到后现代主义,最后回到中性立场解读社会问题。她始终以较温和的性别立场关注着女性在平凡生活中的生存状态。
In Xu Anhua's social ethical films, the images of women were built from traditional women to modern feminists and then to the post modernist and finally returned to the neutral position to interpret the social problems. She has always paid mild attention to women's living state in ordinary life.
出处
《职大学报》
2014年第5期27-29,123,共4页
Journal of the Staff and Worker’s University
关键词
许鞍华
电影
女性意识
Xu Anhua
film
female consciousness