雅乐展新颜 古韵焕新篇——浅析电视剧《甄嬛传》原声音乐的创作手法

On the TV Series “The Legend of Zhen Huan” Original Music Creation

伴随古装剧《甄嬛传》的热播,剧中新颖脱俗的主题音乐给人们留下了深刻的印象。刘欢创作的这部宫廷题材原声音乐,无论从听众的欣赏角度,还是其艺术本体层面都具有一定的研究价值与意义。整套音乐包括主题曲、插曲及场景音乐共15首,作曲家以独特的音乐视角来诠释其个性化的音乐理念,再造出古装剧音乐的又一经典,为当代同类体裁的音乐创作注入了新的活力。本文以其代表性歌曲与场景音乐为研究对象,从歌曲旋律、和声语汇及配器手法方面入手,窥探该剧的音乐风格概貌,以期获取部分理论依据服务于当代影视音乐创作。

With the costume drama ＂the legend of Zhen Huan＂ population, the novel theme music left a deep impression to the people. The court theme music, no matter from the perspective of the audience to appreciation, has research value and meaning of certain body at art level. The whole music including the theme song, episode and scene music contains fifteen songs. Music composer, from a unique perspective interprets the concept of personalized music, Creates another classic costume drama music, Injectes new vitality into the same style of contemporary music creation. In this paper, the representative songs and scene music are taken as the research object starting from the melody, harmony and orchestration aspects of vocabulary, Seeing the play style of music profile, in order to obtain the theoretical basis for the service in the contemporary film and television music.