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从本体真实到照片真实感——论数字影像的真实性 被引量:4

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摘要 CG(computer graphic)影像作为一种基于计算机技术的合成影像,是一种全数字影像,它改变了传统影像的本质,即影像中所呈现的对象不再具有本体意义上的真实。虽然CG影像中的对象的本体真实被撤回,但观众却仍然保留了对影像的真实性感知,这种照片真实感正是CG影像所追求的视觉标准。照片真实感实际上是一种在场感,它来自于观者对照片真实性的授权。在CG影像的照片真实感结构中,影像和对象呈现出一种想象关系而不是存在关系。
作者 李天
出处 《文学评论》 CSSCI 北大核心 2014年第5期136-143,共8页 Literary Review
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参考文献17

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二级参考文献1

  • 1[法]萨杜尔(Sadolnl,G·) 著,徐昭,胡承伟.世界电影史[M]中国电影出版社,1982.

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