摘要
《你那边几点》中作为菲勒斯的时间,既是结构叙事行为的主能指,缝合了人物的行为,又是主体追求的欲望对象。他们对时间的无力指示了欲望的不可能,只能求助于安慰性的怀旧。潜藏在时间背后的乃是对于空间的想象。我们固然已经无家可归,但同质化和区分化交织的城市进程并不能提供安身之所。时间和空间的嬗变及重组反映了当代象征秩序的危机,进而直接导致想象与实在的短路。一方面是人们在想象中对快感不依不饶的幻想实现,另一方面则是现实生活中不能承受的实在创伤。当死去的象征父亲以实在父亲的身份回归时,他的在场使我们的快感满足变得更加不可能。
In film 7 to 400 Blows,time is a phallus. It is not only master signifier that sutures the characters＇ behaviors,but also the object of desire. They couldn＇t change time,meaning the desire is impossible. So they turn to nostalgia.The real signified is the imagination of space. Although we have been left homeless,but the homogenization and differentiation of city process does not provide shelter. Temporal and spatial evolution and recombination reflect the crisis of symbolic order,which directly leads to the circuit of imagination and reality. On the one hand are people who achieve enjoyment in imagination. On the other hand is unbearable trauma of the real life. The dead father is symbol father,who returns in the name of real father. His presence makes us even more impossible to have enjoyment.
出处
《重庆邮电大学学报（社会科学版）》
2014年第5期107-111,共5页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
