里德《飞往加拿大》戏说语境的悖论与反思

The Paradoxes and Introspection in Dramatic Contexts in Ishmael Reed's Flight to Canada

里德在《飞往加拿大》中所采用的戏说手法是对历史史实和传统文本的一种颠覆、批判和否定,从而使封闭的史实趋向开放,将意义从单一封闭的话语中解放出来,蕴涵更显丰富;故事情节在悖论的反复迭起中更接近实际生活,更能揭示历史和事件的本质。人生戏说中的语言幽默和情感快乐强化了小说中的人物命运悖论,折射出人生哲理的深邃和作家洞察力的精妙。里德的戏说策略有助于揭示悖论、反思过去、修正谬误,驳斥黑人作品精神价值含量稀少的谬论,从而在艺术审美形态良性融合的基础上全面提升黑人作品的文学价值。

In Flight to Canada, Reed reverses, criticizes and negates the historical facts and traditional texts by means of dramatic techniques, revealing the covered historical facts and expanding its meanings from the single and sealed-up condi- tions. The verbal humor and emotional joy in the dramatic expression of life experiences greatly demonstrate the fates of the fictional characters and refract the profoundness of social philosophy and the wonderfulness of the author＇ s observational power. The dramatic techniques of Reed are helpful to reveal the paradoxes, reconsider the past and revise the fallacies, totally destroying the fallacy that black works contain less or rare spiritual values, and comprehensively uplifting the artistic values of black literary works.