摘要
德国作家威廉·格纳齐诺早期的作品多采用零聚焦叙事视角,而1989年后的小说则多采用固定式内聚焦叙事视角。这种转变使叙述者在文本中的聚焦位置﹑聚焦范围和叙事方式随之发生了变化。作品也由早期的按时间顺序展开﹑直线式的叙述结构转向了以人物心理为线索﹑不连贯性和随意性的叙述结构。格纳齐诺前后期作品叙事视角的变化以及随之所带来的作品结构的变化与作家的创作意图﹑文本所突出的内容有着密切的联系。
Zero focalization is often used in the early works of German writer Wilhelm Genazino,while after 1989 he often uses fixed internal focalization.The changes in his narrative perspective bring about the narrators' changes in focus position,range and narrative style.The narrative structure of his works shifts accordingly from the chronological and linear order to a incoherent and casual order based on characters' psychological changes.The change of narrative perspective and the subsequent diversification of narrative structure are associated closely with the creative intention of the writer and the highlight of the text content.
出处
《宁波大学学报(人文科学版)》
2014年第6期21-25,共5页
Journal of Ningbo University:Liberal Arts Edition
关键词
威廉·格纳齐诺
叙事视角
作品结构
创作意图
Wilhelm Genazino
narrative perspective
structure of work
creative intention