凌廷堪《荀卿颂》与荀学的清际转型

Ling Tingkan's An Ode to Xun Zi and the Change of Xun Zi Ideology in the Qing Dynasty

清初学术是中国学术实现从理学到朴学演进的重要节点。荀学是中国学术的重镇,这种演进体现在荀学研究中是由"抑荀"到"扬荀"学术风气的转变,是"以礼代理"的学风转向。清人凌廷堪私淑朴学大家戴震,其作《荀卿颂》既为师承所原,又源自当时"扬荀"的学风。凌氏以"征实"对待礼学研究,崇礼于训诂考据学问之中,为荀学研究中法先后王、性善恶之辨等有关社会政治理念争论做出解释。这种对荀学实践理性思想特征的提倡,启发了中国学术形上思维传统的新变。

The academic arena in the early Qing dynasty was the key node in the change from Neo-Confucianism to plain learning for Chinese academic arena. Since Xun Zi ideology was a key school of learning in the Chinese academic arena, such a change as embodied in Xun Zi studies is one from ＂suppression＂ to ＂eulogy＂--an academic change to ＂ replace Neo-Confucianism with rituals＂. Ling Tingkan , a scholar in the Qing plain learning under Dai Zhen, a great master in plain learning, and Ling＇ s masterpiece An Dynasty, once studied Ode to Xun Zi was not only a succession of teachings from his master Dai Zhen but also an embodiment of the then style logy of Xun Zi studies＂. Using positivism in his approach to the ritual study, Ling Tingkan of study--＂ the eupromoted the ritual study in the exegetical textology and expounded on the debate over some social and political ideas. The promotion of the ideological characteristics of practical reason in Xun Zi ideology has inspired new changes in the thinking and tradition of the Chinese academic arena.