摘要
该文以分形的视角重新审视以传统城市、古典园林、古建筑为主导的中国传统建筑文化,其与分形同源于自然的建筑创作思想,其"不谓分形"却"无处不在无时不有"分形性的建筑创作实态。呈现了中国传统建筑文化与分形多层次自相似迭代组织思想、分形有序与无序,简单与复杂统一的几何形态的深厚渊源,体现了中国传统建筑文化传承至今的魅力本质。同时更为当前延续历史建筑文化的精髓,探索未来分形于建筑文化领域的发展的趋势提供了一定的启发借鉴。
From the angle of fractal view, this thesis reviews the architectural creation thought derived from nature of the Chinese traditional culture (same as fractall, in which, traditional cities, classical gardens and ancient architectures are the leading roles. Also, it reviews the architectural creation situation, which can't be regarded as fractal but exits the Chinese traditional architectural culture everywhere all the time. It shows the deep source between the Chinese traditional architectural culture and the thought of fractal which is self-similar iterative and multi- level organized and the geometry of fractal which is unified in ordered and disordered, simple and complex. It embodies the charming nature of the inheritance of Chinese traditional architectural culture. Also, it provides a certain reference for continuing the essence of historical architectural culture and for exploring the developing trend of fractal in the field of architectural culture in the future.
出处
《华中建筑》
2014年第11期146-150,共5页
Huazhong Architecture
关键词
分形
中国传统建筑文化
分形特性
Fractal, The Chinese traditional architectural culture, Fractal characteristics