与超现实主义的对话——卡特的“布里斯托三部曲”与拼贴叙事策略

A Dialogue with Surrealism:Carter's Bristol Trilogy and the Collage Narrative Strategy

文章尝试从叙事学视角分析英国当代著名女作家安吉拉·卡特在"布里斯托三部曲"中对拼贴叙事策略的精湛运用及其效果。分析从三方面展开:真实抑或虚构、超现实主义的视觉和超现实主义中女性形象的现实主义再现。研究发现,拼贴叙事策略打破了传统的再现方式,虚实界限不再,用超现实主义的视觉来看待这个世界,然而"三部曲"中女性形象的再现却始终无法脱离传统的女性原型和父权制编造的女性神话。

This paper attempts to present an analysis of the excellent use and the effects of collage narrative strategy in the Bristol Trilogy created by the highly-acclaimed contemporary British woman writer Angela Carter.The analysis is approached from three aspects:reality and imagination,surreal vision,and surrealistic representations of women.The paper argues that though unconventional,the representations of women still fit the archetypes and the myths made by the patriarchy.