大江健三郎与莫言童年故乡印象书写的对比研究

Contrastive Study of Childhood-Hometown Writing Between Kenzaburo and Mo Yan

作为诺贝尔文学奖获得者,虽然大江健三郞和莫言分别为日本作家和中国作家,但在初入文坛时却走过了一条极为相似的道路,两者的童年故乡印象书写是他们的最大共同点。虽然两者处于不同的社会体制内,但是,对于人性的关注,却使两者走到了一起。通常说来,儿童的内心世界尚未被世俗所污染,是相对纯洁的,因而童年印象书写可以使作家不以先入为主的世界观来看待世界,进而在构建儿童乌托邦的理想世界中具有更为积极的意义。在当今全球化语境下,大江健三郞与莫言之间的交往已经远远超出了作家个人之间的往来意义。两者之间的文学交流在相互借鉴和共同发展方面,对民族文学和世界文学的发展具有更为广泛的现实意义。

As winners of Nobel Prize in literature,both Japanese writer Oe Kenzaburoe and Chinese writer Mo Yan have witnessed the very similar way when they started stepping into the literary circle.The creative writing of their Childhood impression in their hometowns is the most common aspect in the two literary masters＇works.Though living in the quite different systems of society,they have stepped together with their concern of human nature.Generally speaking,the children＇s inner world has not been ruined by secularity and is comparably pure,thus writers can observe the world without preconceived viewpoint so that it is more actively significant to create ideal world of children＇s utopian.In the present situation of globalization,the exchange between Kenzaburo and Mo Yan is beyond the personal relations.In the aspect of cross-reference and common development,the exchange between the two literary masters is more extensively significant in the practice of developing national and world literatures.