《瀛奎律髓》与《词源》的共通性——宋末诗词理论比较探究

The Intercommunity Between Yingkui Selected Regulated Poems and the Origin of Ci-Poetry: A Comparative Study on the Theories of Regulated Poetry and Ci-Poetry in the Late Song Dynasty

方回《瀛奎律髓》与张炎《词源》分别为宋代诗、词理论著作的殿军,提出了最高的审美标准和艺术典范,并在艺术技法层面了作了深入探讨。前者主清劲、宗后山,欲以之实现南宋江西诗派的内部超越;后者主清空、崇白石,欲以之实现南宋骚雅词派的内部超越。宋代诗词的散文化倾向,凸显了宋代文人的精神特质。内部超越的思考方式,对于古代文学研究和理论建设具有重要启示。

Fang Hui＇s （方回） Yingkui Selected Regulated Poems （Yingkui Lvshi,《瀛奎律髓》） and Zhang Yan＇s （张炎） The Origin of Ci-Poetry （Ciyuan, 《词源》） were the most important conclusive theoretical works about regulated poetry and Ci-poetry respectively, putting forward the highest aesthetic standards and artistic models, and thoroughly discussing their writing techniques. The former advocated the lean and energetic （清劲） style and followed Chen Shidao （ 陈师道）, intending to realize the internal transcendence of the Jiangxi Poetic School （江西诗派） of the Southern Song Dynasty, while the latter upheld the lean and prosaic （清空） style and respected Jiang Xie （姜燮） attempting to realize the internal transcendence of the Saoya Ci-poetic School （骚雅词派） of the Southern Song Dynasty. The tendency of writing regulated poems and Ci-poems in the prose style highlighted the literati＇ s spirit in the Song Dynasty.