五四新诗革命中的“散文诗”

“The prose poem” in the May 4th new poetry revolution

五四文学革命从形式和内容上逐渐开启了现代意义上的"新诗"观念。所谓"新诗",在诞生之初,便与"散文诗"的概念有着极为密切的关联。五四时期的诗人在探讨"新诗"的特征时,虽然有偏重于韵律或文法的差异,却往往借用"散文诗"一词作为"新诗"的另一个命名。之所以如此,因为"散文诗"一词表达了当时人"新诗"观念两方面的图景:语言的散文化和诗体的散文化。"散文诗"的这个概念内涵是五四文学革命的需要塑造出来的。后来的研究者往往把此时的"散文诗"误读为现在的散文诗概念。不过,在杂志栏目从"诗"、"新诗"到"散文诗"的设置变化中,不难发现"散文诗"的文体意识正在当时潜在成长。但也正是在这同一过程中,"散文诗"这一本身似乎蕴含着矛盾的概念,正促使人们进一步赋予其特殊的诗体内涵。

The literature revolution in the May 4th Movement gradually opened a modem sense of the concept of ＂the New Poetry＂ from aspects of form and content. The concept of ＂the New Poetry＂ had a very close connection with ＂the Prose Poem＂ from its very beginning. Although there were differences between rhythm and grammar, the new generation of poets created the new word -＂the Prose Poem＂ to express ＂the New Poetry＂. When we consider about these two concepts, ＂prose＂ is treated as a kind of style which does not need written language and rhythm. In this way, we can express the liberation from ＂the ancient poetry＂ to ＂the New Poetry＂. In short, ＂the New Poetry＂ is ＂the Prose Poem＂. In the changes from ＂Poems＂ to ＂the New Poetry＂ even ＂the Prose Poem＂ In the column of magazines, It is not difficult to realize the understanding of these two words are gradually mature, but it is also in this same process, ＂the Prose Poem＂, the concept itself seems to contain some kind of contradictory. This will allow us to further studying in looking for a special connotation to this new conception.