摘要
苗族作家向本贵的小说,朴素地展示出"看"乡村与"见"乡村的差别,也隐喻了当下农村处处存在着的反现代性区隔。他"看见"了当下多面溃散乃至精神隐痛的乡村。他的小说里的农民不单纯是苦难叙述的客观对象,更是受现代性挤迫的平等主体。尤其是,向本贵叙写了弱者的守善,这表明了作家诚恳面对当前理论阐释困境的勇气,也成为他"思想农民"的一个象征。
Miao writer Xiang Ben-gui's stories simply display the differences between"looking at"the countryside and "seeing " the countryside. They also indicate various anti-modernity compartments existing everywhere in rural areas now. He has"seen"today' s rural areas full of collapse and disorder,even some kind of secret spiritual pain in many aspects. Farmers in his novels are not only the distressed objects,but also the equal subjects forced and looted by modernity. Particularly,Xiang Ben-gui wrote about abidance by kindness of the weak,showing the writer ' s courage to face the current theoretical predicaments and becoming a symbol of him as "a farmer of thoughts".
出处
《中央民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2014年第6期101-107,共7页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
基金
湖南省哲学社会科学基金项目"社会主义农村小说的想象
叙述与困境(1949-1966)"(项目编号:13YBA263)
湖南省教育厅重点项目"1941-1966年农民文学的历史化研究"(项目编号:14A115)阶段性成果
关键词
少数民族文学
苗族作家
向本贵
ethnic minority literature
Miao writer
Xiang Ben-gui