摘要
雕塑与设计的碰撞并非当代,祖先在打造石器时,两者已经纠结在一起,也即今天所谓的交叉;故早期的雕塑与设计活动是融为一体、且是同源的。如果,当初是一种自然契合,今天的话题却是在造物文化的分合离散、多重背景下的再度挖掘,其特殊性在于,如何在中国当代艺术峰落谷底、泡沫散尽之时,以更加宽广的胸襟回望那些历程。
From the angle of interdiscipline research,sculpture and design are crossing relation, these two art forms are interpenetrating mutually. Sculpture and design belong to the same level, they belong to the same platform with regard to the analysis about their relationship. Even though the mediums of sculpture and design are different, and the forms of them are different as well. However, the language ontology of them is the same one, the referent, basic target and main intention of sculpture and design are the same, their conceptions of symbols lie in the linguistic aspect of art form. Even though in the area of contemporary culture, there are refined classifications of aesthetical features of sculpture art and practicality of design language, sculpture and design still cannot be excluded from artistic language.
出处
《雕塑》
2014年第5期48-49,共2页
Sculpture