东汉鲜卑立体造型艺术发展脉络探究

Analysis of Developmental Clues of the Three-Dimensional Plastic Arts of Eastern Han Xianbei

在以现今内蒙古草原为主要活动区域的几个古代游牧民族当中,鲜卑族立体造型艺术作品的构成、形制与民族风格,是比较具有典型性的。其在题材与艺术构成形式结合方面的探索也是十分具有研究价值的。鲜卑立体造型艺术在很大程度上继承了东胡的传统,在发展过程中受到匈奴立体造型的影响,在其作品的造型手法、表现语言、构成形式等方面取得了较大的成就,在东汉时期形成了具有鲜明民族特色的鲜卑立体造型艺术。

The structure, style and national features of the three-dimensional art of Xianbei nationality is very typical in some ancient nomadic groups who lived in Inner Mongolia grassland. Artists ＇ explorations on the themes and artistic forms were also very prominent. Largely, the three-dimensional art of Xianbei nationality inherited the Donghu tradition, and during the process of development, it was affected by the three-dimensional forms of Xiongnu. It had made great achievements in the aspects of modeling techniques, expressive languages and art forms. In the Eastern Han Dynasty, formed the Xianbei three-dimensional art with distinctive ethnic characteristics.