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宋代祠庙彩塑赏析

Analysis the Painted Sculpture in Temples in Song Dynasty
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摘要 中国古代传统雕塑文化独秀于世界之林。古代的雕塑语言系统发展、传承有序。传统雕塑不同于西方的写实主义,其写实是归纳而理性的,质感是提炼而规律的,工不见拙、繁不见缛,超凡脫俗;大的形体大开大合、小的形体归纳统一,变化有序;形体塑造不求解剖真实,追求一种神、气、情的合一状态,推崇理性之美。中国古代雕塑以立意为本,风骨气韵、良工精思、巧极似神、刀力遒劲,展天地之灵、现造化之妙。 Chinese traditional sculpture culture is considered to be a kind of excellent and unique sculpture art in the world. The formation of Chinese traditional sculpture system has abided by its own way and inherited generation by generation. Chinese traditional sculpture differs from western sculpture in many aspects. Firstly, the definition of realism in China means to be more generalized and rational. Secondly, its tactility base on extracting from art regulation. Some crafts appeal to be quite sophisticated but not exaggerate, refined but not stereotyped. On dealing with modeling subject, Chinese sculptors prefer to sharp general form initial with roughly skill, then the details were created in a simply way, sculptors aimed to achieve the sense of order in every part of subject. Meanwhile, the philosophy of modeling on the phrase of reality distinguished from western anatomical reality, sculptors wanted to emphasize the reality of mental status. Inner conditions usually being took into account as prior condition of the creation of sculpture, they emphasize the mental status, coincidental analogy of figure, accordance of nature and the power demonstration.
作者 王和平
出处 《雕塑》 2014年第5期70-71,共2页 Sculpture
关键词 彩塑 罗汉造像 传统文化 Painted Sculpture, Statue of Arhat, Traditional Culture
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