摘要
康德在其哲学体系中将判断力作为知性与理性的桥梁,《判断力批判》两大部分审美判断力批判与目的论判断力批判不可分割为这一主旨服务。而康德对自然美与艺术美的分析则体现了他对道德律令以及人作为最终目的的重视。在美的艺术中,康德力图将天才与鉴赏,自然美与艺术美进行统一与融合。
In Kant's system of philosophy,he made the faculty of judgment as the bridge of understanding and reason,the two parts of The Critique of Judgment aesthetic judgment critique and teleology critique being the indivisible whole and simultaneously serving for the motif. The analyses of natural beauty and artistic beauty reflect Kant's attaching importance to the moral law and human as the ultimate goal. What's more,he tried to combine genius and appreciation,natural beauty and artistic beauty in the fine art.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2014年第6期1-4,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
判断力批判
自然美
艺术美
The Critique of Judgment
natural beauty
artistic beauty