《二南》岐阳渊源考

On Qiyang as the Historical Origin of Ernan

《周南》《召南》作为《诗经》的首两集,是历代经学家研究的重要内容。关于《二南》中"南"的解释及其创作的时间和地区历来众说纷纭。现当代很多学者认为《二南》创作于西周晚期和东周早期的洛阳或者是"周召分陕"后的陕西和陕东之地。笔者通过整理历代学者的观点,认为《二南》中"南"应指"南方的曲调",《二南》诗歌主要应该是文、武、周公时期由岐阳去到江汉流域诸国的周人和来到岐阳周原的南方诸侯国之人创作的。

As the first two parts of Guofeng,Zhounan and Shaonan are important research topic of scribes of previous dynasties.There are varieties of explanations about Nan＇s meaning and Ernan＇s age and place.Es-pecially,many contemporary scholars think that Ernan was created in Luoyang or Western Shaanxi and East-ern Shaanxi after Duke of Zhou and Duke of Shao Separated Shaanxi and that Ernan was created in late West-ern Zhou Dynasty or early Eastern Zhou In this essay,I will collate opinions pf all previous dynasties scribes, and combine historical documents with archaeological discoveries to prove that Nan refers to melodies from the the South,and Ernan was created by Zhou people who came to Jianghan Basin and Jianghan nations who came to Qiyang by intermarriage during the times of King Wen,King Wu and Duke of Zhou.