论郑敏的新诗语言观

On the Language Viewpoint in Zheng Min's New Poetry

郑敏以诗人和学者的双重目光透视百年新诗,发现影响新诗发展的最大的问题是语言问题。她以强烈的责任感和使命感,多方寻求解决这一问题的正确途径。一方面,她受西方语言学理论的启发,结合自己的写诗体验,提出了自己的新诗语言观:新诗语言应当是一种发自诗人生命内部的、富有生命感的语言;诗人应当尽量避免使用那些浮躁喧嚣的语言,追求语言的质朴、深沉和玄远;诗歌语言不应当过分透明,而应当是半透明的。另一方面,她从西方回首东方,从中国古典诗歌中获得启示,认为新诗应当找回古典诗词在语言上的"文"性特征,增强新诗的含蓄性;应当借鉴古典诗词在语言表达上的各种特长,增强新诗的艺术魅力;应当继承中国古典诗语的音乐性传统,增强新诗的音乐美。

Zheng Min has found that the language is the most important problem affecting the develop-ment of new poetry a double sight of poet and scholar in the last hundred years. She beats around for a cor-rect solution to the problem with a strong sense of responsibility and mission. On the one hand, inspired by western linguistic theories and combined with her own experience of poetry writing, she puts forward her own language view on the new poetry： the new poetry language should be from the inside of the poetry’s life, and full of sense of life;poets should try their best to avoid impetuous and blatant language and pursue sim-ple, profound and abstruse language;poetry language should not be too transparent, but semitransparent. On the other hand, looking back to the east from the west, inspired by Chinese classical poetry, She believes that the new poetry should retrieve the“literary”character in language of the classical poetry, and strength-en the implication of the new poetry;it should use the kinds of specialties that the classical poetry uses lan-guage for reference so as to enhance the artistic charm of the new poetries; and it should carry forward the musical tradition of Chinese classical poetic language so as to enhance the musical beauty of the new poetry.