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从《姹紫嫣红开遍》看传统戏曲的当下困境

On the Contemporary Dilemma of Traditional Operas:A Case Study of Flowers Glitter Brightly in the Air
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摘要 项海、项忆君是滕肖澜中篇小说《姹紫嫣红开遍》中一对热爱京剧的父女,他们尤其热爱《姹紫嫣红开遍》,也试图将台上的戏曲世界搬到台下的日常生活当中,将生活也戏曲化、艺术化、虚拟化。小说通过叙写这一对父女在工作、爱情、生活的种种遭遇,思考了传统戏曲在当代生活中的困境,并以令人意料之外的结局表明:作为一种生活方式的传统戏曲文化在当下只能存于台上,无法活在台下。 XIANG Hai and his daughter XIANG Yi-jun are Peking Opera lovers in Flowers Glitter Brightly in the Air, a novella by TENG Xiao-lan. They have an ardent love for Flowers Glitter Bdghtly in the Air, and try to put the dramatic stage into their daily life, making life dramatic, artistic and virtual. By narrating experiences of the father and the daughter in their work, love and life, the novella reflects on the dilemma of traditional operas in contemporary times. The surprising end reveals that traditional opera culture as a life style does not exist in real life and only appears at the stage.
出处 《安庆师范学院学报(社会科学版)》 2014年第5期31-35,共5页 Journal of Anqing Teachers College(Social Science Edition)
关键词 滕肖澜 《姹紫嫣红开遍》 传统戏曲 当下困境 TENG Xiao-lan Flowers Glitter Brightly in the Air traditional opera contemporary dilemma
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