论《西游记》的微观空间

On Micro Space in Journey to the West

《西游记》中的微观空间是与宏观和中观相对而言的空间存在,长期被忽略的微观空间是小说的重要艺术特质。小说创造了大量形态各异的微观空间,微观空间在文本中表现为细微形态的物体、变化缩小的人物及其存在的细微物质性空间与社会关系,它是幻想艺术展开的独特场所,孙悟空是串连微观、中观、宏观空间的矛盾关系统一体。微观空间的叙事视角随着情节变化而在宏观、中观世界之间灵活转换,其中微观视角促进了幻想艺术的拓展与深化,使小说的情节更为新奇有趣,创造出让人感觉既熟悉又陌生的环境与场景,同时融合童心特点与游戏精神,充分展现了超现实微观空间的艺术价值。

The micro space in Journey to the west is relative to macro and medium space. It is an important art of novel traits and has been ignored for a long time. Novel created a large number of forms of microcosmic space. The micro space in the novel consists of micro objects,changed and narrowed characters,micro material space and social relations. It is a unique place for fantasy art. Monkey King is the contradiction between the micro, medium and macro space. The narrative angle of space changed among micro, macro and medium space freely. The micro perspective promotes the expanding and deepening of fantasy art,leading to more interesting plots, creating environments and scenes which are both familiar and unfamiliar, and integrates childlike innocence characteristics and the spirit of the game,and fully demonstrates the artistic value of surreal microcosmic space.