摘要
当前红色经典的影视改编已成为一大热门文化现象,但随着时代的变革,红色经典的影像呈现已不同于以往,这直接体现为当前红色经典影视改编中的种种叙事嬗变:在叙事风格上,由宏大叙事走向个体叙事;在叙事结构上,由线性演进走向多元共存;在美学走向上,由适度夸张走向靠近真实。
The movie and television rifacimento of the red classics has become a popular culture phenomenon. But with the change of the times, the appearance of red classical movie and television is different from before, which is directly reflected in the narrative transmutation in the rifacimento of current red classical movie and television: translating grandiose narration to individual narration on the narrative style, translating linear evolution to multi-dimensional coexistence on the narrative structure, translating moderate exaggeration to adjacent reality.
出处
《价值工程》
2015年第1期290-291,共2页
Value Engineering
基金
湖北省教育厅人文社科研究项目"当代红色经典影视改编的意义嬗变研究"的研究成果
课题编号2012G378
关键词
红色经典
宏大叙事
个体叙事
多元共存
red classics
grandiose narration
individual narration
muhi-dimensional coexistence